Monday, 24 March 2014

The Naked Island (1960)

  'The Naked Island' (Hadaka no shima) is a 1960 Japanese film directed by Kaneto Shindo.

  A family of four (a mother, a father and two sons) are living on a remote island in the 'Inland sea': the area of sea separating three mainland islands of Japan. It's a 'naked' island as the soil is dry, and the only inhabitants are the family. Their daily procedure of boating to the mainland and back to get fresh water, gradually takes a toll on the family. But there are far worse events on the horizon.

  Made on a minuscule budget, by a crew of thirteen people, 'The Naked Island' is an astonishing creation, both productively and visually. Especially visually. This film has some of the most gorgeous cinematography I have seen, making the most mundane tasks of carrying water up a hill, some of the most visually striking scenes in cinematic history. Similar to Shindo's 'Onibaba' in thay every scene is framed to perfection. However in 'The Naked Island' there is more time to take in the beautiful setting.

  The mute and slow-paced scenes gradually crescendo the power, resulting in some devastating scenes around the hour mark. Showing every little bit of the family's everyday life, makes the audience sympathize with them, so when the unexpected occurs, it hits hard. The characters look from a distance as society advances without them, while they are left behind in almost medieval times. It's possible to watch the entire film, and realize afterwards that no character spoke. It's not a silent film but a talkie with no dialogue. The film is told entirely by visuals and sound effects, a staggering achievement.

  Another film about humans interacting with nature which focuses on a loving family and the beauty/harshness of the landscape (The Horse Thief, Profound Desires of the Gods). Although, this film is superior in every aspect including the stunning photography, the first-class acting, the well-written story, and the marvellously remarkable soundtrack.


TO CONCLUDE
Impressive in every aspect. Slow-paced, but endlessly devastating.

SCORE
91

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